Belinda's figurative expressions are connected on several levels, from the origin to distinctive and simultaneously generalized co-operation of female handwriting. Belinda Rožić introduces in her female figures the emphasized conceptual component the most obviously mediated by the names of the particular figures: ( ''If you don't want to dance with me I'll dance alone'',''Look honey I've got a new haircut'', ''I'll be your sexy housewife''… With about ten not very big ceramics of women-girls the author embodies a collection of the female behaviour models in the context of male-female relations. At the basis of Belinda's typology is balancing between the stereotypic conceptions and the personal experience, in other words balancing between the trivial and art-aesthetic on the expressive level. Stylized elongated female figures with careful outfit refer to the notion of socially accepted female roles, from the lovable girls, attractive housewifes to flirting with pin-up iconography. The autor expresses her own poin of view by irony and metaphor trifling with the sense and messages as well as with kitsch aesthetics. For example she makes the parallel between the decorative ceramic figures on the chest of drawers and a woman who, denying her own position, sometimes comparably invisible adorns somebody's home. Belinda's art notions are auto descriptive in the icon way. Her sculptures materialize the meaningful integrality just by contextualization. Sabrina Žigo